BEEMAN’S BLOG - SEASON 3 - EPISODE 19

"SHADES OF GRAY"

WARNING – SPOILERS ARE CONTAINED WITHIN!

Tonight’s episode was written by Oliver Grigsby and was directed by me, your humble blogger – Greg Beeman

Okay – so, before we get started with the regular blog – please check out go to the following link:

http://www.nbc.com/Heroes/novels/novels_library.shtml


This week, besides directing, I wrote and illustrated the weekly HEROES COMIC which appears online at NBC.com after our episode airs tonight on the West Coast - so about 1am for you East Coasters. Here’s a couple of example pages, it's Chapter 128 and titled "Puppet With No Strings."

(p.s. You can see the pages bigger online)



Right before Christmas, when I was just starting to prep the episode, the guys in charge of the comic book world came to me and asked if I would write and draw one of the 6 page comics that appear online every week. I guess they had read on my blog how my lifelong dream since childhood was to be a comic book artist. But, other than a few sketches I’ve whipped out and handed to Tim Sale to guide him for Isaac’s paintings – and maybe a handful of storyboards – no one here has ever really seen my art. I don’t know why they assumed I could really draw. In fact, this assignment made me more nervous than anything I’ve done in a long time. Sure, directing multi-million dollar episodes week in and week out may seem daunting to some. But I’ve been doing that for a long time. Drawing a comic is something I’ve never really done!

But, I try to never say “no” to challenges that come my way. So I said “YES!” The only stipulation I was given was to try to create a story that connected to the episode I was directing. Other than that there were no instructions. Low supervision and low expectation - Now that’s my kind of job!

I decided to tell the story of what happened to Eric Doyle, the puppet master, between the last time we saw him in episode 13 (laying semi-conscious on the floor of Primatech) and here at the end of episode 18/top of episode 19 (when he appears in Claire’s house and asks for help.)

I also wanted to include Rachel Mills (played by the actress Taylor Cole) who had appeared in the webisodes and now is appearing in the episodes. In the last webisode Angela Petrelli had encouraged her to do good with her powers… and so I decided to show her trying to do that.

Truthfully, writing the comic was fast. I thought about it and slept on it for a few days and whipped it out in a few hours. But drawing it?!?! Holy crap… that was slow. I did most of it over my 2 week Christmas break. First I did the pencils and then I did the inks. I worked on it for hours a day. And though quite enjoyable, it was slow!

I never had any formal art training – but between ages 4 and 18 I did nothing but draw for hours and hours and hours a day. As a teen I mostly copied comic book artists. My principle influence was an artist named Barry Windsor Smith – who drew CONAN #1 - #24. This was the comic that inspired me more than anything else in my life. In fact, I would say, CONAN #1-#24 and STAR WARS (and later THE MATRIX) have been by far the biggest creative influences on my life. I also avidly studied and copied artist Jack Kirby, who, when I first started buying comics, was doing THE NEW GODS, THE DEMON and KAMANDI at DC. Kirby’s comics were the first ones I ever bought back-issues on. I bought as many of the old FANTASTIC FOUR and THOR series as I could afford and I copied his perspective and forms and figures. Barry Smith’s work was complex and dense and Kirby’s were simple and strong – and I consciously wanted to balance both. Other artists I studied and copied were Bernie Wrightson, Neal Adams, Jim Steranko, and, to a lesser degree, Mike Ploog and Paul Gulacy. I’ve never met any of these men but they have all been massive influences for me.

But, after I started film school at USC at age 18, I really slowed down drawing. When I first graduated school, I worked as a storyboard artist for a couple of years – but by the time I was 23 or 24 I was working steadily as a director and I hardly ever draw after that.

So, as I started drawing this comic I really hadn’t drawn this much in 20 years. I thought I could do it, but I wasn’t sure. As I drew, though, all the skills and knowledge I’d developed so long ago (as well as all the bad habits) seemed to come right back. It was very interesting. Also, my ability to focus, was still there. As a kid I frequently remember starting a drawing and then, as I was finishing it, I’d look up and realize that 5 or 6 hours had gone by without my noticing. That happened again here.

Also, before I finish, I would like to give a shout-out to Edgar Delgado, who did the coloring on the book. I never met him - but I think he did an awesome job and greatly improved my drawings!

I guess you guys will judge if I did OK. Some panels I’m incredibly happy with and some panels I feel I just couldn’t get right. I also feel I tried to cram too much story and too many panels on a page and if I had to do it again (which I hope I do!) I will thin it out. But, overall I feel – at least – I did not embarrass myself.

Again – HERE’S THE LINK:

(REMEMBER IT'S CHAPTER 128!!!)


http://www.nbc.com/Heroes/novels/novels_library.shtml


Now, on to the episode:

Oliver Grigsby is a young man who works on HEROES as the Writers Assistant. This is his first, produced, hour of TV. He is twenty-seven years old. Some day I guess I should write an “Oliver Grigsby, Living The Dream” blog. I could go over his life story about how a young man, through hard work and generally good personality can get his first break on a show like this…. But, since Ollie ended up with me directing (and I always have a lot to say on the blog when I direct) and on an otherwise busy week, he ended up out of luck on this one.

I was, basically, happy with the script from the beginning. The Sylar/Mr. Gray story was strong and has changed very little since the first draft. From my point of view, it was all about landing the right actor for the role and then it would take care of itself. The story between Danko and Nathan also felt good to me. I knew it would take directorial effort to energize the story visually – i.e. I needed to add energy to the Nathan/Danko story so that it didn’t fall flat – but the story was fundamentally strong. The third story Claire/Doyle-the-Puppetmaster, although showing awesome promise, was the furthest from where it needed to be is the one that changed the most throughout prep. Don’t get me wrong - I was very excited about the storyline – I love Doyle’s character and I really enjoy working with David Lawrence, the actor who plays him. I also like the emotional complexities of Claire trying to find a way to fight the good fight, but without really knowing how to. But, in the first draft, though, the story was kind of complex. The story had Claire take Doyle to the comic store with her and he hid there. Agents came and Claire helped Doyle escape. There was also a scene where Doyle used his power against one of the agents, which made Claire doubt his intentions towards redemption. I knew this version was too big to accomplish within our schedule. Then there were studio/network notes that modified this story for awhile – it became much more a Sandra/Claire story for a couple of drafts. But to me, as much as I love Sandra, it got the story off-topic. Finally, between myself and Tim Kring and Oliver and some of the other writers – we re-focused the story back onto Claire saving Doyle – but in a simpler way… Which is what you’re seeing tonight.

Stylistically, I chose to be very aggressive visually with everything to do with Nathan/Matt/Danko’s story. I tried to “Michael Bay” it up… Which to me means, swoop the camera around, go handheld, get as many cool angles with as much camera movement as possible – and then cut it up like crazy in the editing room – all in an effort to add energy and tension. You decide if it works. I think it does. I also think Adrian and Zeljko have great chemistry. (Hats off to Ali Larter too, who only had two scenes - but I like them both a lot!)

I was simpler with Claire’s story, using simple camera movement and big close-ups in the first scene with Doyle and with the comic book store – I went hand held and big crane moves with the scene of Claire talking to HRG and saving Doyle from the agents – but still calmer than the Nathan story.

With Mr. Gray and Sylar I was simplest of all. I just tried to compose nice shots and let the acting and the story carry the weight. Also, in this part of the show – fate intervened. We were out of stage space to build sets. Our line producer suggested that maybe we could build Mr. Gray’s cabin as an exterior set in our parking lot. On paper, this sounded like a great idea. I knew we couldn’t really go to a trailer out in the woods – and I’d planned to do one visual effect shot – in which, when Sylar’s truck pulls up to the cabin – we would add a matte painting of mountains and woods in the background. In that shot, when we filmed it, there are actually palm trees and Los Angeles buildings in the background – but the guys at Stargate did a great job of making it look like the woods.

But… on the two days we filmed those scenes… It poured rain! Not only had we built the set outside... We'd built it out of aluminum siding and tarpaulin. Also the parking lot was on the lowest part of our stages. That meant that we worked for two solid days with the noise of a pounding rain and with a river of water two inches deep, running underfoot almost the whole time. Also, since we were, effectively, outdoors in downtown L.A., whenever the rain wasn’t pounding, there were ice cream trucks, and helicopters and even, once, a major police bust about two blocks away – and all for an INTERIOR scene!!! Aaaaghhh!!!

I’ve learned over the years that it’s futile to fight against the inevitable. So I bore down and kept a positive attitude. The most important thing was to try to keep the actors focused and not get too negative. The whole time we were shooting they both knew they’d have to re-record much of their dialogue to replace the unusable sound of rain and sirens and helicopters and gunshots….

This episode provided me with another great opportunity. I got to work with my good friend John Glover again. As you probably know, John played Lionel Luthor on SMALLVILLE, and I worked with him with great gusto for five years on that show. I’d been a fan of John’s for years before that. He had done a movie called 52 PICK-UP directed by John Frankenheimer. If you haven’t seen it you should. He played the baddest bad guy I had ever seen. That performance made a strong impression on me. Then, years later, we ended up living in the same neighborhood and I used to see him at the supermarket from time to time. I always wanted to go up and tell him how much I admired him – but I felt too dorky and shy and so I never did.

So when I finally got to work with him on SMALLVILLE I was thrilled. I told him the story about the supermarket and he says I should have said something…. But I’m not sure. My admiration for him only grew as I became familiar with his work ethic and his attention to detail. John does a lot of Broadway and he has the kind of discipline and respect for the craft (as a craft) that seems to only exist in theatre actors. At first, on SMALLVILLE, I was actually afraid to give him any performance direction because I thought he was so great. But as I did I realized he loves and craves direction. He loves to be pushed and challenged and so we developed a great working relationship which, over the years, became a friendship.

It was fun doing scenes with he and Zach, because, to me, they are cut from the same cloth. Both are incredibly serious and professional about their craft, but also easygoing and nice to be around. They also, both, have an innate understanding of how to "go for it." They can each play moments "bigger than life" and, through sheer charisma, get away with it where lesser actors would fail embarrassingly. It was a treat to have them both on the same stage at the same time!

A couple of years later I did try the supermarket thing. I don’t know how I knew what Bryan Fuller looked liked, but I did, and I knew his work from DEAD LIKE ME and WONDER FALLS. So I saw Bryan Fuller in my neighborhood supermarket and I got up my guts and told him how much I admired him. This was years before we ended up working together on HEROES. Of course, at the time, I had both my kids with me and they were little and they were hanging on me and screaming – and Bryan looked at me like I was a weirdo stalker – so I just slunk off. I’m not sure about the whole supermarket fandom thing?!

Okay – today there’s loads and loads of PICTURES!!!!!





YOUR DIRECTOR/BLOGGER/ARTIST



SYLAR AND LIONEL...EH, I MEAN MR. GRAY



"WOW! STAR TREK'S GONNA MAKE HOW MANY MILLIONS?????"


ADRIAN AND GREG G. PUMP EACH OTHER UP BEFORE FILMING


ADRIAN'S MESSAGE


ANGELA IN NYC (AKA OUR BACK LOT)


BABY MATT IS CUTE - BUT, PERHAPS, STINKY


DAVID IS THE SUBJECT OF MY COMIC AT http://www.nbc.com/Heroes/novels/novels_library.shtml
EPISODE #128
(I HAD TO STUDY MANY PICTURES OF HIM TO DRAW HIM WELL)


GREG GRUNBERG READY TO BLOW!


HEY! NO PAPARAZZI


HOW MANY CREW MEMBERS DOES IT TAKE TO FILM ONE MATRIARCH IN A LIMO???


I'M NOBODY'S PUPPET!


INTERROGATION IS A HOT AND SWEATY BUSINESS


LATE NIGHTS GO BETTER WITH A REFRESHING COFFEE BEVERAGE


LIL LADY WITH A BIG GUN


MASI AND MARA LaFONTAINE (THE BABYSITTER)


MASI AT HOME (BELIEVE IT OR NOT THIS IS A RE-DRESS OF THE BENNET HOUSE)


PAPARAZZI FAVORITE - MS. PANETTIERE


TAYLOR COLE GETS THE DROP ON DAVID. H. LAWRENCE


THE LADIES OF HAIR AND MAKEUP


ZACH AND HIS PET TURKEY

Comments

Anonymous said…
Amazing episode, I loved all Sylar's scenes and I love the ending with Nathan and Claire.

Love the pictures, Love Zach's pictures even more!
Anonymous said…
Great episode, Mr. Beeman! It was definitely refreshing to see John Glover again. Of course, Zach Quinto also did a great job as always, and I was happy to see Ali Larter again. Oh, and your art is great! Keep up the good work!
Anonymous said…
The episode rocked - as usual when you direct - and I'm blown away by your art! Thanks for blogging.
Anonymous said…
greg,

no doubt, nothing better than the art of bws...unless its the art of kirby.

fyi, the epi is getting serious thumbs up on aicn, when for a full year, it was total thumbs down

so kudos to you and mr fuller...and give a little pat on the back to mr kring for bringing fuller back to the fold

and hey, ever thought about doing anything in the comics world? your art is pretty good.
Anonymous said…
This was the best Season 3 episode yet (both volumes). Great work! I love your sense of visuals!
Anonymous said…
Loved the episode!
Kyle said…
Speaking of ADR, Im pretty sure there was one shot that we hear sylar speaking, yet on screen he mouth doesn't move in the slightest. I guess you were hoping it wouldnt be obvious due to the camera angle.

This is the second time Ive spotted this this volume.
Anonymous said…
Great episode! Great pictures! And your art looks great too! Keep up the great work!


P.S. Glad to see Tracy (Ali Larter) back and looking forward to Cold Snap episode in 2 weeks!
Anonymous said…
This was a really good ep, Beeman. Man, that Zach Quinto is a revalation. I'm always excited to see him work, week after week, even when I don't like the storyline. But you guys are bringing it back, man.

Also, congrats on getting renewed for a 4th season!
Unknown said…
Mr. Beeman,

LOVED the episode. I especially enjoyed all of the Sylar/Mr. Gray scenes. You are most definitely right about the fact that Zach Quinto and John Glover are both AMAZING actors!

Thank you so much for taking the time to blog! It makes the show even MORE interesting for me, because I get to see all of the work put behind it. Also, the pictures are great. :)

I'm very much looking forward to the next episode, (in TWO weeks! That's too bad...)!
Anonymous said…
So.. why does Zach have a turkey in his shirt? Or is he just happy to see you?

Great episode. Will we see Mr. Grey or the Puppetman again? I hope so. Poor Nathan. Is he the next bunny about to be stuffed?

Liked the ending with Danko seeing the rabbit. Who's the prey now?
ebrown2112 said…
Good ep. Love Glover.

Bah, AICN and their quote hos don't know diddly-squat.
ebrown2112 said…
Glover WAS great in 52 Pick-Up! That's where I first saw him. "No more ****ING AROUND!"
Anonymous said…
the volume's getting better and better! for the first time, im really psyched about tracy's storyline like never before. but most importantly, the reveal of the rebel! can't wait! boy, it's gonna be a long 2 weeks..
Misty said…
You saved the best photo for last! haha! That's great, took me a min. to find the turkey.

This episode was incredible. Kudos to all involved! I loved all the scenes, esp. Sylar's and Angela's. Loved Angela sniffing the socks and slurping the oysters. You've said many great things about Zach, all deserved, but Cris is just as good. She needs more face time!
Anonymous said…
The Episode was fulous as usual, favourite scenes were the Sylar/Samson ones. Your so right about how they are both the same in the poarticular way of their acting. And the Sylar reveal at the Hunter's place at the end made me OMG!
Rest of the story's were also involving and baby Matt is so cute.

I vaguely got the idea in your blog that you wrote something, what was it again, an infomertial and news article, this weeks web comic....nah that's not it.hehe
Anonymous said…
Being a Mohinder fan sucks.
Anonymous said…
Best season 3 episode yet!!
Sylar and daddy Zachary Quinto are amazing!!!

Your art is amazing also! I think that you did a great job!!

Oh! And thank you for the Zach pics!! >.<
Anonymous said…
An episode without Mohinder... AGAIN?! You are making me very sad here, Beeman! Use your super powers and bring Mo, hehehe...
Anonymous said…
I loved the episode! One of the best for sure!
Anonymous said…
Aww, I wanted to see more scenes of Mohinder in that room, getting buckets of water dumped on him until he agreed to work for Nathan...

Uh, I mean, great episode! Fantastic writing and directing in this one. I'm glad that the Claire-Doyle story was changed from the original version, what we got to see was good and I like how it ended. The shot with Nathan and Claire at the end was great because they both looked so somber yet the music seemed to hint at hope. Really enjoyed seeing that, but I bet that the comic book store patrons are going to be really disappointed, lol.

I wonder what's going to happen between Sylar and Danko. My theory is that Sylar is going to try to use Danko until the end of the volume, then kill him, because there's more to Danko's story that we have to find out, and Sylar killing him right off the bat in the next episode would not make a lot of sense. JMO.

Oh, and great job on the comic! I've been wanting to know what happened to Doyle after Sylar knocked him out, so that was an interesting read. And... lol, the last picture is so random and funny! Thanks for sharing all these pictures, it looks like you all still have a lot of fun working on the show!
Unknown said…
Thank you, thank you, thank you for baby Matt! I love you all for starting to pick up the loose threads again.

Glover was truly amazing.
Jemiah said…
EXCELLENT episode (with great direction!) - a classic of the show and one of the best of the whole season! I was a little dismayed (yet again) with the depiction of comics shops as being a Land Where No Female Walks, and when a girl goes in she gets ogled six ways to Sunday... trust me, it's not really like that, and I'm not amused (and yet the writing of the scene is really funny, if it wasn't for that glaring problem!) Hey, you didn't write it, so I'm not blaming you for that. But still, y'all, if you're going to go anywhere near women and comics, please stop being so small-minded, even if you think that's what the audience expects. Besides that, though, I loved every single second and sometimes I wish you directed EVERY episode. You da man! Thanks again for your work!

And your webcomic? For a guy who hasn't drawn for 20 years, you did a great job! You aren't getting hired at my company to draw anything any time soon, but the writing was wonderful. I almost teared up at "PEOPLE ARE GOOD - SO ARE YOU". If you ever wanted to write more comics, I'd love to see 'em! (And I'm glad you like Bernie Wrightson, too. He's a really lovely guy and I enjoyed working with him.)
Anonymous said…
10/10! Compelling story, great camera work. Can't wait for the next episode! I especially loved a fresh-stolen pair of socks, Angela rocks =)
Mr. Beeman, I'd like to wish you good luck with the series =) And cheers from Russia - there is a lot of fans here ;)
Anonymous said…
This volume is incredible so far. Great work!
Kyle said…
Finally got to see your comic. I guess its not bad for someone who hasn't drawn in so long, and its great that you took up the challenge, but it could definitely use work. The anatomy is pretty funky at times. and I would lay off the cross-hatching next time. when not done right it looks scratchy/itchy. should have used thinner lines if you wanted to do it.
Anonymous said…
More Mohinder please. :-)

I love Hiro and Ando, but I feel as if the trip to India was rather pointless, plus I'd far rather it be Mohinder that goes to India to talk with his mum and perhaps see Molly (I'm hoping that's where she might be with Mo's mum).
Anonymous said…
Mr. Beeman, this was the best episode so far. I loved the Sylar/Daddy, Nathan/Danko and Barbie/doyle scenes. uhm, this actually sums up the whole episode...haha

Seriously, this was really great and I didn't even miss Peter. I loved every scene and, yeah, hats off to Ali Larter, although she just had a few scenes, she was brilliant. I don't no why, but I personally liked her scene with Adrian, even if it was just a short one. That's probably because both of them are my favourite actors of the show, next to Zach of course.

I heard that there are going to be two major deaths to the end of the season. Hope it's not Nathan, Tracy, Sylar, Claire, Angela, Peter or Hiro. I also hoope that Danko stays longer and that Sylar's dad comes back scaring our Heroes a bit more.

Anyways, thank you for the great episode. More power to you, the amazing cast and crew. Can't wait for the next episode!!!
Anonymous said…
Jemiah

while it is true that comic shops are far from a no girls land, it is also true that comic shop owners like to hire attractive women to be behind the counter

and this epi was indeed a step up

although the agents trying to take down the puppet master was kinda dumb

and i really hope we see him again...cuz david lawrence is a heck of an actor
Unknown said…
PLEASE, NO MORE CLAIRE, NO MORE PETER, NO MORE HIRO.
GIVE ATTENTION FOR ALI LARTER CHARACTERE, SHE IS THE BEST ACTRESS IN THE SHOW!
Anonymous said…
Please, don´t kill off Tracy.
She is amazing charactere, with amazing power.
I love her.
Anonymous said…
I wouldn't worry about them killing off Tracey. If they do, there's always Barbara.
Anonymous said…
Loved, loved baby Parkman. Please reunite Janice and Matt, they are too cute together. (I'd also like Heidi and the boys w/Nathan but you can't have everything)
Emmy said…
Oh yay I love the graphic novels. Good for you for doing one! Its hard to do drawing after you put it down. Theres a sort of release. Its you on the page. I cant wait to go read it!
Oh and this episode was fantastic. I loved the Father/Son Dynamic. They are two fantastic actors. Great casting! Super show, thanks for giving us the inside scoop.
OH and hurray for another season!
Anonymous said…
"He was lousy in bed."

Best line in the entire episode. I love Tracy! Can't wait to see "Cold Snap", and yay for Bryan Fuller's return!

Zach and John both knocked it out of the park with their scenes. Oh, and David too! I felt really sorry for Doyle in the first half of the ep... then he had to pull that sly smirk. Such a great character you have there, I hope to see him again soon.

I'm really worried about the upcoming deaths. On one hand, I don't think that Sylar's story can continue for much longer, but I would miss ZQ if he had to leave. I may be in the minority here, but I hope that Mohinder doesn't die! His storyline is much better in this volume, and I'd hate to see him get killed off now that he's trying to redeem himself :(

Thanks for all the behind-the-scenes info and pics! LOL at the turkey in Zach's shirt :)
kusyok said…
Oh My God! They killed Bunny!
From this moment Sylar becomes really evil character.. as for me. xD
Anonymous said…
First good episode of this volume!
Congrats and keep up the good work!

-SCNT
Anonymous said…
I thought this was a great episode myself. Hey greg, I have an idea for the future of heroes. Is there a way for me to pitch my idea to you? My email is thethinker1225@sbcglobal.net
Anonymous said…
Never mind: I think your email is herosite@gmail.com
Anonymous said…
Hey! I love your blogs and pictures (mainly) and HEROES like durr:L
Well just to say i'm using your pictures on: www.bebo.com/Heroes_On_set drop a comment or add us sometime hope your okay with us using them:) here's my bebo www.bebo.com/Nevergonnabealone_ or msn: Easha_Ox@Live.co.uk talk some time(;
Anonymous said…
I love the fact that most of the comic book store customers were Buy More employees from Chuck. Hysterical!
Anonymous said…
Hi Greg, we're from the Philippines and we are actually a couple of episodes behind. But we have been in the states to watch this episode and the previous one, and we both loved it. Although we don't quite know what happened in between since volume 3 ended...haha (We're trying to catch up, now that we're both back)The scenes with Sylar and his Dad that was really good. And all the scenes between Nathan and Danko were so intense. And Adrian and Ali, we love them! Why couldn't the writers leave them together? We both think that they have great on screen chemistry. Better than Daphne and Matt, not that we don't like them. I think that Daphne's personality matches Ando or Hiro more. So, yeah we were kinda sad about that. But we're still hoping for Nathan and Tracy. Anyways, the Best was the ending of this episode. Surprisingly heartwarming.

Volume 3 wasn't as good as we thougt it would be, 'coz it was called Villains and we thought it would have been darker, like the Villains would have done something really bad, but nothing really scary happened. But we still kept on watching and volume 4 promises to be better. Besides we're huge Heroes fans. We just can't let go...hahaha

Most of you might think that we just write rubbish but this is the first time we went to Beeman's blog and we're just extremly excited and happy that you, Greg, find the time in your busy schedule to blog and post these great bts picures.

Anyways, you defenitly hear more from us in the future. Great directing and it was definitly a good episode.

Thank you for the blog!

Sunshine(that's me) and Bituin
:-j said…
Outstanding art! Just one question: Who wrote "Pinehearst" was burning when Doyle was in Primatech?! Quick, change the online edition...
Anonymous said…
la mejor serie del mundo♥ hey greg q paso con maya herrera? what happened with maya herreara? me reviente que dejen las historias por la mitad la puta madre

argentina, bs as
saludos!
Anonymous said…
Beautiful comic book, Beeman. Most of the graphic novel art has been pretty mainstream up until now but that was just gorgeous. The colours and lines were almost Picassoish.
kblog said…
1. Sylar needs to brush up on his acting evil skills. He was so good/evil in Season 1!!!!!

2. Your last page of the comic mentioned a girl helping Doyle. Were you talking about Rebel?

3. Love the Mohinder monologues, and the Heroes music.
Hannah Okky said…
Great episode. David H. Lawrence XVII's acting was superb in this episode; he freaked me out with his last scene. That look he gave Claire. It was awesome.
Anonymous said…
Great episode!
Of course I really enjoyed Glover/Quinto interractions. Cold, morbid, Gray meeting.In France, they said they were looking for something more epic, but I think it was just what was needed.The 2 characters try to be human but clearly fail. They just don't know what it means...I really enjoyed Angela P lil dinner with oysters. She's just perfectly classy , in control and threatening at the same time. Very well acted though it's not easy to act while eating oysers ;)
And i enjoyed the humor with Hiro, as the baby sitter was giving him Baby Matt 'No thank you!' :)
Anonymous said…
Hey, nice episode, the shot of the woods in Sylar's dad cabin was excellent, excellent, excellent, it was a great job, congratulations
Anonymous said…
Oh finally watched the epi , loved the finale with Nathan/Claire and thnak u for the shots of the beautiful Hayden panettiere ^^
Anonymous said…
No Mohinder, again!!! How could you? He better be featured heavily in the next one... stomps off muttering
Anonymous said…
Congratulations Mr Beeman! I can't say how much i loved this ep. I know after hundreds of other people say exactly the same thing the effect somewhat dulls, but I truly, really mean it, believe me.

I think part of what makes Heroes so watchable is the twists that just keep on coming.

I was, though, going to ask: if Sylar's dad also had telekinesis (used in the flashback scene last ep) why didn't he put up much of a fight using it?
Anonymous said…
Khizar said...
"2. Your last page of the comic mentioned a girl helping Doyle. Were you talking about Rebel?"

I believe he was referring to Rachel.
:-j said…
I heard there were bad news, but not this one, Greg! Please leave the whole collection online, please. And believe in regeneration, as we do. I hope Kring is stronger than NBC. Thanks and good luck!
slumdogbabu said…
loved your work on the series Greg! wishing you the best! babu subramaniam
Ares said…
This is my favorite episode this season! Great blog, too. I think I speak for millions when I say, "Well done."
The Goshawk said…
Hey Greg! I really hope you read this. I was wondering if you're the same person who directed the "movie" my dad is in, called Brain Race to Terror. Last name is Gaskill. Look me up on facebook if so.
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